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Leonid Desyatnikov : ウィキペディア英語版 | Leonid Desyatnikov Leonid Arkadievich Desyatnikov ((ロシア語:Леони́д Арка́дьевич Деся́тников), born: 16 October 1955, Kharkiv) is a Russian composer who first made a reputation with a number of film scores, then achieving greater fame when his controversial opera ''Rosenthal's Children'' was premiered at the Bolshoi Theatre in Moscow. ==Life and career== Leonid Desyatnikov was born in 1955 in Kharkiv, Ukraine. He is a graduate of the Leningrad Conservatory, where he studied composition and instrumentation. Desyatnikov has penned four opera, several cantatas and numerous vocal and instrumental compositions. His principal compositions include: ''Rosenthal’s Children'' (an opera in two acts; libretto, Vladimir Sorokin), commissioned by the Bolshoi Theatre; ''Poor Liza'' (a chamber opera in one act; libretto, Leonid Desyatnikov, after the novel by Nikolai Karamzin); ''Gift'' (a cantata based on the verses of Gavrila Derzhavin); ''The Leaden Echo'' (a work for voice(s) and instruments based on the poem by Gerard Manley Hopkins); and ''The Rite of Winter 1949'' (a symphony for chorus, soloists and orchestra). Desyatnikov has been collaborating with Gidon Kremer since 1996 as a composer (''Wie der Alte Leiermann...''; the chamber version of ''Sketches to Sunset''; ''Russian Seasons'') as well as arranging the works of Astor Piazzolla, among which is the tango-operita ''Maria de Buenos-Aires'' and ''Quatro Estaciones Porteñas''. Desyatnikov wrote the scores for the films ''Sunset'' (1990), ''Lost in Siberia'' (1991), ''Hammer and Sickle'' (1994), ''Moscow Nights'' (Katya Izmailova) (1994), ''Giselle’s Mania'' (1995), ''Prisoner of the Mountains'' (1996), ''All That Is Tender'' (1996), ''Moscow'' (2000), ''His Wife’s Diary'' (2000) and ''The Target'' (2010).
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